I discovered Roxy Music’s Flesh + Blood at Skiz’s house. There was something about the combination of Bryan Ferry’s voice and that signature syntho-echo that could make you feel simultaneously sad and horny, ancient and hopeful. That was a terrific coming-of-age summer for me. Skiz, Roger, Gil and I spent the season together, happily taking advantage of her pool, beer fridge, barbeque and her parents’ good nature. This was 1981 and I was already nineteen, I should have had this sort of experience years before, say at fifteen, but I just cannot imagine necking on the couch to “My Sharona.”
I played the copy of Flesh + Blood Roy burned for me when I was driving up to Elliot Lake to see Gerry. Back in the day, I’d bought the album and made a cassette so I could listen to it in the Dodge Dart on my daily trips back and forth from Gil’s house. Two weeks ago I’d sung to “My Only Love” as I drove along highway 108, and it would be the last time I saw my father alive. Time passes so quickly. I used to sing an octave higher than Bryan Ferry, but I don’t anymore.
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