Until last night my exposure to Prog-Rock was limited to enforced snippets of Rick Wakeman and weedy, gravitas-rich
Pink Floyd liner notes. Then Sherry and I went to the
Jethro Tull concert. She was fabulous; attuned to every trill and tempo change like a true Ian Anderson aficionado. Thirty minutes in I realized why I preferred a post-Gabriel
Genesis, an epiphany exacerbated by the demographics of the average Tull fan. This is where Comic-Book Guys go to die and given the arduous ascent to Massey Hall’s upper balcony, I was amazed that these whiskered mastodons had the energy to air-flute.

Image:
Popular Mechanics (1952)
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